I’ve always been fascinated by the names of people and things. Why do we use the names we do? What do they mean? Who made them up? Is there power in knowing something’s name? I later discovered that all these questions are very old—the idea that names have power goes back at least to ancient Egypt. When I became a biology professor, I found that my students and colleagues mostly didn’t know or care why animals and plants have the Latin names they do. But those names are fascinating, and there are stories to uncover whenever we tug on a name’s meaning like a loose thread.
I wrote
Charles Darwin's Barnacle and David Bowie's Spider: How Scientific Names Celebrate Adventurers, Heroes, and Even a Few Scoundrels
I’ll admit that I’m fiercely jealous of this book’s title, which is clever and à propos (but now, thanks to Wright, it’s taken). But the book is also delightful.
It’s a history of scientific naming, more or less, but Wright has a ton of fun with that. He asks how plants were named in ancient Assyria and Greece, winds his way through the Middle Ages, and continues to the present day. Does that sound dry? It isn’t—I chortled at the discussion of rude Latin names (Geastrum fornicatum, anyone?), and giggled at Wright’s appropriately disrespectful take on the modern profusion of “species concepts” (“You will be delighted to hear that I will not be describing the remaining twenty-five concepts.”).
I learned a bunch and had fun doing it, and that’s a big win.
'Who would have thought that a book about Latin names could be quite so compelling!' Alan Titchmarsh
'Nature writing at its best: insightful, entertaining and often very funny' British Wildlife
Latin names - frequently unpronounceable, all too often wrong and always a tiny puzzle to unravel - have been annoying the layman since they first became formalised as scientific terms in the eighteenth century.
Why on earth has the entirely land-loving Eastern Mole been named Scalopus aquaticus, or the Oxford Ragwort been called Senecio squalidus - 'dirty old man'? What were naturalists thinking when they called a beetle Agra katewinsletae,…
This book delighted me because it’s packed with the backstories behind the names of birds—and those stories feature surprising historical anecdotes, quirky characters, and more. Did I say “quirky”? The namesake for Leach’s storm petrel was so far past “quirky” that you can’t even see it in the rear-view mirror.
I enjoyed thinking about early naturalists trying to fit strange birds from strange lands into what was familiar from home (hence, North American and Australian “robins.”). I learned about bird names that are onomatopoetic (“rook”), based on folklore (“goatsucker”), unexpectedly descriptive (“swallow”), and, of course, eponymous (the titular “Mrs. Moreau’s warbler.”). The writing is graceful, and the book design is lovely. What a treat!
Swallow and starling, puffin and peregrine, blue tit and blackcap. We use these names so often that few of us ever pause to wonder about their origins. What do they mean? Where did they come from? And who created them?
The words we use to name birds are some of the most lyrical and evocative in the English language. They also tell incredible stories: of epic expeditions, fierce battles between rival ornithologists, momentous historical events and touching romantic gestures.
Through fascinating encounters with birds, and the rich cast of characters who came up with their names, in Mrs Moreau's Warbler…
I loved the Alice books as a child and even more as an adult. As a child, I loved their absurdist humor; the situations Alice gets into are ridiculous, and the ways she gets out are even more so. As an adult, I love that the absurdist humor asks really interesting questions about language and naming and self, our ideas of time and space, and social conventions and who’s in charge of them.
All this with hilariously eccentric characters and nonsense poetry that isn’t quite nonsense! To top it off, reading Alice as an adult is a trip because so many books, movies, songs, and other creative pieces have referenced events or language from the Alice books. What fun!
'But I don't want to go among mad people,' Alice remarked. 'Oh, you can't help that,' said the Cat. 'We're all mad here.'
The 'Alice' books are two of the most translated, most quoted, and best-known books in the world, but what exactly are they? Apparently delightful, innocent fantasies for children, they are also complex textures of mathematical, linguistic, and philosophical jokes. Alice's encounters with the White Rabbit, the Cheshire-Cat, the King and Queen of Hearts, the Mad Hatter, Tweedledum and Tweedledee and many other extraordinary characters have made them masterpieces of carefree nonsense, yet they also appeal to adults…
I know, another “children’s book”—but another with plenty to say to me as an adult (and later books in the series are more obviously oriented to older readers). The adventures of the young man Sparrowhawk at a wizarding school dive deeply into the power of names and naming. (Earthsea predates by 30 years that other boy-coming-of-age-at-wizard-school book.)
I love the richly detailed fantasy world, with a society that’s like ours but also not, and the wise but real characters with human failings they struggle to overcome. Along the way, there are lots of interesting ideas about language. I still get lost in the world of Earthsea, as I do in a few other books.
The first book of Earthsea in a beautiful hardback edition. Complete the collection with The Tombs of Atuan, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.
I love Bill Bryson’s dry and wry sense of humor, his sharp eye for the preposterous, and his fascination with detail. In his better-known books, it’s travel, but this fits my fascination with language and naming because it tells the story of English.
Well, stories of English, anyway—it’s not a scholarly history (which I’d also enjoy) but more a collection of anecdotes to illustrate some of the quirks of the language. It’s fun and easy reading, and some things piqued my curiosity enough that I dug in further with more authoritative books.
“Vastly informative and vastly entertaining…A scholarly and fascinating book.” —Los Angeles Times
With dazzling wit and astonishing insight, Bill Bryson explores the remarkable history, eccentricities, resilience and sheer fun of the English language.
From the first descent of the larynx into the throat (why you can talk but your dog can’t), to the fine lost art of swearing, Bryson tells the fascinating, often uproarious story of an inadequate, second-rate tongue of peasants that developed into one of the world’s largest growth industries.
Biologists have often named living and fossil species after people; these namings tell fascinating stories. They’re stories about the species’ namesakes (famous or forgotten) and their connections to the species named and the scientists who did the naming. David Bowie’s spider, Beyoncé’s horsefly, the Gollum fish, and Donald Trump’s moth are just a few recent examples.
Species names have been used to declare love for family, honor heroes, insult rivals, and much more. The stories behind these names are sometimes funny, sometimes surprising, sometimes poignant, even sometimes infuriating, but they’re always worth hearing. My book takes you on a ride through natural history and naming, from the deep past to the present, and the ride is always fun.
Edge of the Known World is a near-future love and adventure story about a brilliant young refugee caught in era when genetic screening tests like 23AndMe make it impossible to hide a secret identity. The novel is distributed by Simon & Schuster. It is a USA Today Bestseller and 2024 American Fiction Awards Winner in multiple categories, including Best New Fiction, Political Thriller, and Science Fiction: General.
Alexandra is a gifted student, adoring daughter, and exuberant prankster. She is also hiding in the open. After a blissful childhood, Alex learned she’s an illegal refugee from a brutal regime, smuggled into…
Fans of Margaret Atwood’s Oryx and Crake will be swept away by this riveting speculative fiction adventure and love story about family, genetic privacy, and the onrushing future of surveillance technology.
2024 American Fiction Awards Winner in multiple categories, including Best New Fiction, Political Thriller, and Science Fiction
Alexandra Tashen is a brilliant student, adoring daughter, merry wit, and exuberant prankster. After a blissful childhood on a Texas ranch, she learns the truth: She is a refusé, an illegal refugee smuggled into the Allied Nations as an infant. Everyone from her birth region carries a harmless but detectable bit of…
